Today Amazon offers Welcome to the Monkey House (Kurt Vonnegut series) just for $1.99. Harry up! It is good chance to add classic to your collection.
This short-story collection Welcome to the Monkey House (1968) incorporates almost completely Vonnegut’s 1961 “Canary in a Cathouse,” which appeared within a few months of Slaughterhouse-Five and capitalized upon that breakthrough novel and the enormous attention it suddenly brought.
Drawn from both specialized science fiction magazines and the big-circulation general magazines (Saturday Evening Post, Colliers, etc.) which Vonnegut had been one of the few science writers to sell, the collection includes some of his most accomplished work. The title story may be his most famous–a diabolical government asserts control through compulsory technology removing orgasm from sex–but Vonnegut’s bitterness and wit, not in his earlier work as poisonous or unshielded as it later became, is well demonstrated.
Two early stories from Galaxy science fiction magazine and one from Fantasy & Science Fiction (the famous “Harrison Bergeron”) show Vonnegut’s careful command of a genre about which he was always ambivalent, stories like “More Stately Mansions” or “The Foster Portfolio” the confines and formula of a popular fiction of which he was always suspicious. Vonnegut’s affection for humanity and bewilderment as its corruption are manifest in these early works.
Several of these stories (those which appeared in Collier’s) were commissioned by Vonnegut’s Cornell classmate and great supporter Knox Burger, also born in 1922.
Some words about the Author.
Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut’s audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller’s Catch-22 to form the truest and darkest of what came from World War II.
Vonnegut began his career as a science fiction writer, and his early novels–Player Piano and The Sirens of Titan–were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.
Now that Vonnegut’s work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut’s work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut’s reputation (like Mark Twain’s) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.
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